“It’s very simple, actually. I had to erase cinema history after the early ’60s and not think of crane shots, no Steadicam, no dolly camera.” “You had to shoot it the way they shot. It was fun to have ...

After months of research, Blackmagic Cinema cameras tick all of the right boxes for my run-and-gun documentary camera setup – ...

Speaking of which, having Miranda briefly move in with Carrie was another plot line that helped Nixon continue to be the ...

Blackmagic Design seems to be one of the few camera companies forging new ground in the cinema camera space, pushing not just ...

Filmmaker Vishal Furia made Maa an engaging affair with its solid twists and turns, along with a story which will strike a ...

Amol Parashar has been dominating the OTT space with back-to-back releases — Kull and Gram Chitikshalay. While both the roles ...

Drishyam 3 is official! Mohanlal returns as the iconic Georgekutty in the next chapter of the blockbuster thriller. Set for a ...

Static locked off - Film Production BTS. RED V-RAPTOR VV 8K on Kessler Crane Cine Shooter Motion Control Dolly. WB: 5000k Color Science: IPP2 Color Space: REDWideGamutRGB Gamma Curve: Log3G10 ...

Director Paul Greengrass (The Bourne series, “United 93,” “Green Zone”) has made some of cinema’s most intense movies by rocking the camera violently to jolt the viewer.