Emilia Pérez's' director, Jacques Audiard, has finally apologized to Mexicans who found themes in the film offensive.

The French director Jacques Audiard argued this Thursday in an interview with EFE that he “would not change” 'Emilia Pérez', his latest award-winning film about an “interpreted reality” of Mexico, which has sparked an intense debate regarding the treatment of two of the most pressing issues afflicting this country: drug trafficking and the victims of disappearances.

Industry heavyweights like Guillermo del Toro and Issa López have praised the French film as a masterpiece, while social media reactions have been very negative

French director Jacques Audiard defended and apologized for his film “Emilia Pérez” at its Mexican premiere Wednesday.

Depending on who you ask, the audacious cartel musical is transphobic, an insult to Mexico, and not as good as Wicked. But is that fair?

Oscar-nominated in 13 categories, Jacques Audiard's musical/crime drama hybrid does not reflect the reality of the country in which it is supposed to take place, according to some.

It may have been embraced by the Academy, but just a day after its debut in Mexico, the acclaimed “narco-musical” Emilia Pérez was already drawing rebukes for superficial portrayals of sensitive subjects.

Mexico City (AFP) – Despite its huge international ... of trivializing raging drug-related violence. French director Jacques Audiard's Spanish-language production shattered the record for ...

The jingle of itinerant scrap merchants has long been part of Mexico City's soul."It's part of the national culture," said one Mexico City resident, Marcos Lugo.

Gascón previously picked up best actress nominations at the Critics Choice, Golden Globes, and the Screen Actors Guild Awards for her role in Emilia Pérez

Experts say Trump's executive order is the continuation of an American project that fantasizes Latin American crime.

He was born in Paris and is the son of Marie-Christine Guibert and Michel Audiard, a film director and screenwriter. During the 1980s, he started creating screenplays for movies such as Réveillon chez Bob!, Mortelle randonnée, Baxter, Fréquence Meurtre, and Saxo.