The greatest art is impossible to write about, because it surpasses human understanding. Dakota Mace's solo exhibition "Dahodiyinii — Sacred Places" at SITE Santa Fe represents the unrepresentable.
In the first of this book's two dense essays, Foucault links the neutral space of Blanchot's fiction to a line of thought extending from de Sade to Artaud, Nietzsche and Bataille. . . . In the ...