Morisot’s style, gentle and unemphatic, is unmistakably Impressionist; Manet, on the other hand, can’t be easily pigeonholed. Following his friend Charles Baudelaire’s rallying cry for art ...

When Edouard Manet's painting Olympia is hung in the Salon of Paris in 1865, it is met with jeers, laughter, criticism, and disdain. It is attacked by the public, the critics, the newspapers.

Featured works by artists such as Manet, Monet, Sisley, and Signac address the role of water in commerce and recreation, observation and memory. Made possible by a generous loan, Along the Water: ...

There’s certainly no shortage of public interest, judging by the huge response to the Courtauld’s recent Monet in London exhibition and the National’s just-closed Van Gogh: Poets and Lovers – the most ...

Adapted and excerpted from “Paris in Ruins: Love, War, and the Birth of Impressionism.” © 2024 by Sebastian Smee. Reprinted with permission from W.W. Norton ...

A stunning new art film, to be shown at selected cinemas, casts fresh eyes on the Impressionists tale of passion and ...

The latest Exhibition on Screen film contextualizes the landmark show which launched Impressionism with correspondence and journal entries from Manet, Monet, Cezanne, Degas, Morisot et al, and looks ...